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Hyperbolic Oil Paintings

Alcohol Inks

2022 Hyperbolic Abstract Oil Paintings

​My process-based creative practice addresses trauma, nihilism, and mystical experiences within myself. I explore insight experiences questioning “what is real” by illustrating entopic phenomenon (visual affect sourced from the eye) and hyperbolic geometry.

2022 Creation Mandalas  

Digital procreate paintings of radial mandalas cut into a hyperbolic composition with an edging tool. These diamonds have crisp psychedelic resolution and make beautiful prints or vinyl murals.

2022 Hyperbolic Abstract Oil Paintings

This collection demonstrates the visual novelty of non-normative states of consciousness, focusing on neon hyperbolic geometries as generated through linear algebra and mathematical topologies. The gestural lines accelerate your gaze, inviting you to jump through dimensions and to ignore the hard lined compositional boundaries. I imagine the viewer immersed in opaque fractal, as if they themselves were covered in the materiality of paint. Shop available collection.

2021 Nouveau Liquin

The perception of our face liquifies when we hold the soft gaze of our eyes in a mirror. This exercise uncovers our true-self by demonstrating that our image shape-shifts and is in constant change. These portraits were developed as a meditation on masks by applying the process of liquidizing, crystallizing, and edging. The ethereal mask is held still in time on paper, and remains non-material when uploaded into your crypto wallet as an NFT on OpenSea. 

2020 Digital Dreams and a Pinch of Dust 

2020 Plant Documentary with Distant Worships 

Sold out collection of vessels, persons, and picnic benches entangled with their park environments; combining ecology and portrait. 

2019 Chakras For Engineers 

#CharkasForEngineers envisions a desirable and democratic future where society and technology are closely entwined to liberate all people. Read more. Email to purchase slatertheresa@gmail.com ​
"...optical pleasure when reduced to near nothingness promotes an infinite contemplation of infinity." Lyotard citing Kant in The Sublime and The Avant Garde, 1985